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REF · LZ-260729-EMB-PRC
MANAGED DECORATION
A decorated program fails in the middle, not at the machine.
Artwork that was never prepped for the method. A substrate chosen after the technique was locked. A restricted-substance question raised the week of production. Lizal owns all five gates, so the decoration decision and the sourcing decision are made by the same team at the same time.
← Back to the eleven techniques
01 · LZ-ART
Artwork & approvals
Your file is prepped per method before anyone quotes it, separated for screen, digitized for stitch, redrawn for puff, tested for etch. Then it goes through your brand review once, with the method named, so the approver is looking at what will actually be made.
Where it goes wrong: a logo approved as a flat vector and then digitized afterward comes back with detail the brand team never signed off on. The approval has to happen after the method translation, not before.
You receive
· Method-specific proof or digitized sew-out
· A single consolidated approval round
· Artwork archived against the program, reusable next run
02 · LZ-MAT
Material selection
The substrate is chosen with the technique, not before it. Sublimation needs light polyester; etching needs a synthetic or napped face; twill needs enough body to carry a stitched-down layer. Because Lizal sources the blank, both decisions are made in the same conversation.
Where it goes wrong: a garment gets selected on price or color, and then the technique that suited the brief turns out to be impossible on it. Now you are choosing between the fabric and the finish, late.
You receive
· Swatch card with the decoration applied
· Fabric and trim options that all clear the method
· One recommendation, with the trade-off stated
03 · LZ-CMP
Compliance
Restricted substances, labeling, and material-content limits are cleared at material selection, not the week production starts. Inks, films, threads, foils, and trims are documented per program, with factory disclosure supplied alongside the quote.
Where it goes wrong: foil, reflective film, and plated trims are the usual late failures. Each one introduces a material a standard apparel submission does not cover, and finding that out at production means starting the gate over.
You receive
· Documented material list per program
· Factory disclosure and audit status
· Labeling and content requirements confirmed in writing
04 · LZ-PRD
Production
Decoration is managed on the floor by Lizal’s own team rather than handed to a subcontractor and hoped for. Placement, registration, and color are checked against the approved sample at the start of the run and at intervals through it, not only at the end.
Where it goes wrong: multi-stage methods are where drift hides. Patches and tackle twill are two production stages stacked, and a placement that shifted between them is invisible until the whole run is decorated.
You receive
· Pre-production sample for sign-off
· In-run placement and color checks
· A named contact who has seen the floor
05 · LZ-QA
Quality assurance
Physical inspection against the approved sample before anything ships: adhesion, stitch integrity, placement tolerance, hand feel, and wash performance where the program calls for it. Decorated goods are inspected as decorated goods, not as blanks that happen to have a logo.
Where it goes wrong: a blanks-level inspection passes a run where the decoration is failing, edges lifting, foil cracking, puff collapsed. The problem surfaces in the field, with your name on it.
You receive
· Inspection report against the approved sample
· Wash-test results where specified
· Anything out of tolerance held, not shipped
ARTWORK SPECIFICATIONS
What to send us, and what each method can hold.
Send vector where you have it. If all you have is a flattened file, send it anyway, redraw is part of the artwork gate, not an extra project.
Method
File
Min. detail
Color matched to
Screen printing
.ai / .eps
1 pt line
Pantone Solid Coated
Heat transfer & DTF
.ai / 300 dpi
0.75 pt line
Pantone, film-matched
Embroidery
.ai / .dst
2 pt stroke, 6 mm cap
Nearest thread reference
Tackle twill & appliqué
.ai outlined
8 mm stroke
Twill stock color
Sublimation
.ai / 300 dpi at size
0.5 pt line
Pantone, dye-matched
3D puff & laser etch
.ai outlined
3 mm stroke, 10 mm cap
Tonal, no color match
01
Decoration on blanks we already hold
If Lizal warehouses your inventory, decoration can be applied to stock on hand instead of a fresh buy, no second freight leg, no second minimum.
02
Two methods on one piece
Flat embroidery under puff, screen print with a foil hit, a patch on a sublimated panel. Combinations are quoted as one program with one approval chain.
03
Reorders that actually match
Artwork, thread references, and material lists stay filed against the program, so run two looks like run one rather than close enough.
One team for the sourcing and the decoration means one approval chain, not two.
Quote a decorated program
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